Cd Blue Mountain Brandon Heath
Harkening back to his East Tennessee roots, Brandon Heath invokes the people and landscapes of Appalachia on Blue Mountain. His latest release takes a creative leap.
In the world of contemporary Christian music, releasing an album that you could easily apply the descriptor 'understated' to is a rare thing indeed. Yet that's just what Brandon Heath has done on his fourth full-length. In place of the brash histrionics and overwrought production that mark the work of so many of his peers, Heath keeps things tempered, only allowing the dramatics to wander in for, well, dramatic effect.
And the single most glaring moment of bombast actually works remarkably well. Over the course of the song 'Dyin' Day,' the singer/songwriter builds on a vision of inviting the broken and sinful among us into his home for dinner. It all builds to a rousing finish of string-soaked, distorted guitar and splashing cymbals. This is the song to incite the congregation to action. The rest of the album, though, feels downright muted in comparison to that one brief minute of action. Even the most radio-friendly near-rocker, 'Jesus in Disguise,' stays resolute with the chorus slinking in where most would have it explode upon the listeners. Heath sounds particularly great when he ratchets things way back, as on the alt-country-tinged title track and the folksy ode to his grandfather, 'Paul Brown Petty.'
Robert Ham.
Contents. Release Blue Mountain was released on October 9, 2012, through in the. It debuted at No. 5 on the, and at No. 97 on the chart, which both positions were taken on October 27, 2012. Music and lyrics At, Andy Argyrakis wrote that 'The Nashville native taps into childhood trips throughout Appalachia to visit his grandparents, resulting in a laid back, roots-centered record (with an ever so slight penchant for hip-hop rhythms) that's never short on pop sensibility. Topically, Heath blends tributes to his grandfather (a war veteran and church elder) and mentor Bob Goff (founder of social justice non-profit Restore International) with a fictional farmer, coal miner, and death row inmate—with a redemptive thread masterfully tying all of these compelling tales together.'
Alpha Omega News' Tom Frigoli said that 'Throughout the record messages of hope, redemption, and love are underlined through the stories of Blue Mountain's residents', and told that 'listeners will experience the stories of a wise sage, a coal miner, and even a prisoner on death row, to name a few. Even though many of the stories are fictional, it's easy for listeners to claim those stories as their own and relate to the themes in a very profound way. This is a testament to Brandon's incredible song (and story) writing talents.'
At, Robert Ham noticed that 'in place of the brash histrionics and overwrought production that mark the work of so many of his peers, Heath keeps things tempered, only allowing the dramatics to wander in for, well, dramatic effect.' Joshuan Andre of Christian Music Zine said that 'coming up from left field, Brandon's 4th album is pleasantly good and refreshing', and noted that the album contains 'a smorgasbord of genres attached to this varied project, inclusive of sombre and uplifting ballads, personal stories of characters revealing the human condition, as well as upbeat guitar twangy southern melodies'. At, Tony Cumming said that 'Brandon's reflections on what he feels about life, love, hurt and everything in between is elegantly executed'. Jonathan Andre of Indie Vision Music wrote that 'his bold release of a country record is an interesting move by Brandon, yet he is able to win the doubters. over with reflective ballads, ingenious writing and hopeful stories of the characters providing inspiration to this album called Blue Mountain.' Louder Than the Music's Jono Davies wrote that 'there is a real maturity in the songwriting that flows in the creative lyrics of the songs', and the album to him was one 'that the artist has always wanted to write' and produce.
Furthermore, Davies wrote that 'there is a very laid back feel to the album. these aren't just good songs, they are also great stories about how Brandon feels about life, love, God, hurt and everything else in-between.' Jesus Freak Hideout's Bert Gangl said that 'What do, the (APP) and the Book of James have in common? The surprising answer to this unlikely question is that all three arguably had some influence on Brandon Heath's latest release, Blue Mountain.' To this, Gangl wrote that 'Like the APP, whose name during the '70s and '80s was veritably synonymous with what has now become known as the concept album, Blue Mountain is built around the central themes of living and dying.' Larry Stephan highlighted that some production was scaled back, and felt that this was 'beneficial, however, not universal.'
Lastly, Stephan told that ' Blue Mountain contains a mix of Americana leaning songs and typical CCM type music.' , but that 'while more of the Americana leaning would have been welcome,' he felt that 'the album as a whole is still a cut above typical CCM style music.' Critical reception Professional ratings Review scores Source Rating Alpha Omega News A+ Christian Music Zine (4.25/5) Indie Vision Music Jesus Freak Hideout Louder Than the Music The Phantom Tollbooth Blue Mountain garnered acclaim from music critics. At AllMusic, Ham called the album 'understated', which he remarked was 'a rare thing indeed' to be able to do in the realm of CCM. Frigoli of Alpha Omega News wrote that the album 'has something for everyone to enjoy', and told that the listener 'may be surprised by what they find up there.'
Release
Aspinwall said that 'Brandon Heath has chosen much of his latest project about a fictional place called Blue Mountain, and it is his very best work to date. Heath spreads new, creative and spectacular wings on this project and it is simply perfect.' Andre of Christian Music Zine proclaimed it to be 'A well written and sung album', and that the album 'is a must for fans of country and alternative music.
and acoustic material'. At Christianity Today, Argyrakis said that 'multiple Dove Award winner Heath could've easily gone the safe and easy radio route, but instead turns in his most compelling album to date.' At Cross Rhythms, Cummings felt that 'if you rated Brandon's previous releases like 'Don't Get Comfortable' and 'What If We' you will find Brandon's blend of lyrical introspection and songwriting savvy irresistible.' Davies of Louder Than the Music Jono Davies felt that 'Brandon has produced his most sublime album yet', and he called it a 'wonderful album' that confirms Heath as a 'great songwriter'. Andre of Indie Vision Music called this release 'a moving and poignant album!' Gangl of Jesus Freak Hideout cautioned that 'some members of Heath's existing fan base may be put off by Blue Mountain's less purely pop-friendly textures. And those who listen exclusively to the Top 40 might be disappointed when they find that it's anything but a collection of three-and-a-half-minute, radio-ready singles.'
However, Gangl felt that 'listeners willing to spin the disc with open minds and ears, on the other hand, will find the album a gripping, thought-provoking, and, at times, near-poetic summary of the human condition that becomes all the more engaging with each successive listen.' At The Phantom Tollbooth, Stephan felt that ' Blue Mountain does contain some of this impressive songwriting', but 'while the production on some of the songs has been reigned in ', wrote that the album would be better with 'less paint all over the walls'. So, Stephan told that the listener wants to hear 'more of you and less of everything else.' Track listing No. Title Writer(s) Length 1.
Blue Mountain Brandon Heath Lyrics
'The Harvester', 4:15 2. ' Heath, 3:38 3. 'Blue Mountain' Heath, Barry Dean 3:05 4. 'Diamond' Heath, Copperman, Miller 3:35 5. 'Love Will Be Enough For Us' Heath, Joe Moralez 3:40 6. 'Love Does' Heath, Copperman, Miller 3:50 7. 'Paul Brown Petty' Heath, Heather Morgan 3:31 8.
'In the Dust' Heath, Copperman, Miller 4:11 9. 'Dyin' Day' Heath, Copperman, Miller 3:48 10. 'Hands of the Healer' Heath, 3:55 11.
Blue Mountain Brandon Heath Album
'He Paid it All' Heath, 4:59 Total length: 42:23 Charts Album Chart (2012) Peak position US 97 US 5 Singles Year Single Peak chart positions 2012 ' 9 2013 ' 13 References. Brandon, John (August 30, 2012). Lifter Magazine. Retrieved July 15, 2013. ^ Argyrakis, Andy (October 9, 2012). Retrieved October 21, 2012.
^ Frigoli, Tom (October 14, 2012). Alpha Omega News. Archived from on February 23, 2013. Retrieved October 21, 2012. ^ Ham, Robert (October 9, 2012).
Retrieved July 15, 2012. ^ Andre, Joshua (October 8, 2012).
Christian Music Zine. Retrieved October 21, 2012. ^ Cummings, Tony (November 29, 2012). Retrieved July 15, 2012. ^ Andre, Jonathan (October 4, 2012). Indie Vision Music.
Retrieved October 21, 2012. ^ Davies, Jono (September 3, 2012). Louder Than the Music. Retrieved October 21, 2012. ^ Gangl, Bert (September 29, 2012). Jesus Freak Hideout.
Retrieved October 21, 2012. ^ Stephan, Larry (July 7, 2013). The Phantom Tollbooth. Retrieved July 15, 2012.
^ Aspinwall, Grace S. (October 1, 2012). Archived from on January 2, 2013. Retrieved October 21, 2012. ^ (October 13, 2012). Retrieved October 21, 2012.